Beaux Arts Bath

Beth Carter

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Sculptures
Beth Carter, The Watchman Bronze, Ed of 10, 78 x 69 x 28cmBeth Carter, The Watchman Bronze, Ed of 10, 78 x 69 x 28cm
The Watchman, Bronze Ed. of 10 78 x 69 x 28 cm.
Beth Carter Giant Reading Minotaur, Bronze Ed. of 8 140 x 60 x 84 cm.Beth Carter Giant Reading Minotaur, Bronze Ed. of 8 140 x 60 x 84 cm.
Giant Minotaur Reading, Bronze Ed. of 8 140 x 60 x 84 cm.
Beth Carter, The Watchman Bronze, Ed of 10, 78 x 69 x 28cmBeth Carter, The Watchman Bronze, Ed of 10, 78 x 69 x 28cm
The Watchman, Bronze Ed. of 10 78 x 69 x 28 cm.
Beth Carter Farewell Carousel I, Plaster fabric wood acrylic Unique h68 x 65 x 65 cm.Beth Carter Farewell Carousel I, Plaster fabric wood acrylic Unique h68 x 65 x 65 cm.
Farewell Carousel I, Plaster fabric wood acrylic Unique h68 x 65 x 65 cm.
Antler Figure, Bronze Ed. 15 142 x 56 x 48 cm
Beth Carter Farewell Carousel I, Plaster fabric wood acrylic Unique h68 x 65 x 65 cm.Beth Carter Farewell Carousel I, Plaster fabric wood acrylic Unique h68 x 65 x 65 cm.
Farewell Carousel I (detail), Plaster fabric wood acrylic Unique h68 x 65 x 65 cm.
Beth Carter Fighting Clowns I, Iron Resin Ed. of 10 h84 x 84 cm.Beth Carter Fighting Clowns I, Iron Resin Ed. of 10 h84 x 84 cm.
Fighting Clowns I, Iron Resin Ed. of 10 h84 x 84 cm.
Beth Carter Fighting Clowns II, Iron Resin Ed. of 10 h84 x 84 cm.Beth Carter Fighting Clowns II, Iron Resin Ed. of 10 h84 x 84 cm.
Fighting Clowns II, Iron Resin Ed. of 10 h84 x 84 cm.
Beth Carter Fighting Clowns III, Iron Resin Ed. of 10 h84 x 84 cm.Beth Carter Fighting Clowns III, Iron Resin Ed. of 10 h84 x 84 cm.
Fighting Clowns III, Iron Resin Ed. of 10 h84 x 84 cm.
Beth Carter Broken Carnival Bronze, Ed of 10, 70 x 30 x 49cmBeth Carter Broken Carnival Bronze, Ed of 10, 70 x 30 x 49cm
Broken Carnival, Bronze Ed. of 10 70 x 30 x 49 cm.
Beth Carter Standing Minotaur II, Bronze Ed. of 8 h89 x 35 x 30 cm.Beth Carter Standing Minotaur II, Bronze Ed. of 8 h89 x 35 x 30 cm.
Standing Minotaur II, Bronze Ed. of 8 h89 x 35 x 30 cm.
Beth Carter Broken Carnival Bronze, Ed of 10, 70 x 30 x 49cmBeth Carter Broken Carnival Bronze, Ed of 10, 70 x 30 x 49cm
Broken Carnival, Bronze Ed. of 10 70 x 30 x 49 cm.
Beth Carter, Brothers Bronze, Ed of 10, 89 x 45 x 32cmBeth Carter, Brothers Bronze, Ed of 10, 89 x 45 x 32cm
Brothers, Bronze Ed. of 10 89 x 45 x 32 cm.
Beth Carter,Brothers Bronze, Ed of 10, 89 x 45 x 32cmBeth Carter,Brothers Bronze, Ed of 10, 89 x 45 x 32cm
Brothers, Bronze Ed. of 10 89 x 45 x 32 cm.
Beth Carter Monkey and Horse, Bronze Ed. of 10 50 x 27 x 29 cm.Beth Carter Monkey and Horse, Bronze Ed. of 10 50 x 27 x 29 cm.
Monkey and Horse, Bronze Ed. of 10 50 x 27 x 29 cm.
Beth Carter Reading Minotaur, Polished Bronze Ed. of 10 54 x 24 x 30 cm.Beth Carter Reading Minotaur, Polished Bronze Ed. of 10 54 x 24 x 30 cm.
Reading Minotaur, Polished Bronze Ed. of 10 54 x 24 x 30 cm.
Beth Carter Reading Minotaur, Polished Bronze Ed. of 10 54 x 24 x 30 cm.Beth Carter Reading Minotaur, Polished Bronze Ed. of 10 54 x 24 x 30 cm.
Reading Minotaur, Polished Bronze Ed. of 10 54 x 24 x 30 cm.
Beth Carter Reading Minotaur, Polished Bronze Ed. of 10 54 x 24 x 30 cm.Beth Carter Reading Minotaur, Polished Bronze Ed. of 10 54 x 24 x 30 cm.
Reading Minotaur, Polished Bronze Ed. of 10 54 x 24 x 30 cm.
Beth Carter, Pegasus Bronze, Ed of 10, 62 x 60 x 32cmBeth Carter, Pegasus Bronze, Ed of 10, 62 x 60 x 32cm
Pegasus, Bronze Ed. of 10 62 x 60 x 32 cm.
Beth Carter Minotaur (giant), Bronze Ed. of 8 185 x 64 x 62cmBeth Carter Minotaur (giant), Bronze Ed. of 8 185 x 64 x 62cm
Minotaur (giant), Bronze Ed. of 8 185 x 64 x 62 cm.
Beth Carter,Girl in Boat Bronze, Ed of 10, 37 x 30 x 12 cmBeth Carter,Girl in Boat Bronze, Ed of 10, 37 x 30 x 12 cm
Girl in Boat, Bronze Ed. of 10 37 x 30 x 12 cm.
Fox and Pheasant, Bronze Ed. 15 50 x 27 x 25 cm
Boxer (deatil), Bronze Ed. 15 96 x 30 x 26 cm
Wolf with Deer, Bronze Ed. 15 71 x 28 x 23 cm
Unicorn and Girl, Bronze Ed.15 Unicorn 22 x 14 x 8cm Girl 20 x 11 x 14cm
Messenger, Bronze Ed. 15 50 x 26 x 24 cm
Bull and Rider, Bronze Ed. 15 56 x 33 x 15 cm
Beth Carter Giant Crouching Minotaur, Bronze Ed. of 8 90 x 85 x 80cmBeth Carter Giant Crouching Minotaur, Bronze Ed. of 8 90 x 85 x 80cm
Giant Crouching Minotaur, Bronze Ed. of 8 90 x 85 x 80cm
Petal Repairer (detail), Bronze Ed. 15 61 x 28 x 22 cm
Beth Carter Sitting Minotaur, Iron resin Ed. of 10 40 x 36 x 26 cm.Beth Carter Sitting Minotaur, Iron resin Ed. of 10 40 x 36 x 26 cm.
Sitting Minotaur, Iron resin Ed. of 10 40 x 36 x 26 cm.
Beth Carter Small Standing Donkey, Bronze Ed. of 8 h31 x 9 x 7 cmBeth Carter Small Standing Donkey, Bronze Ed. of 8 h31 x 9 x 7 cm
Small Standing Donkey, Bronze Ed. of 8 h31 x 9 x 7 cm
Crowmask, Bronze Ed. 15 35 x 24 x 18 cm
Fairy on a Stool, Bronze Ed. 15 37 x 13 x 9 cm
Beth Carter Clockwork Bear, Bronze Ed. of 15 h23 x 13 x 19 cm.Beth Carter Clockwork Bear, Bronze Ed. of 15 h23 x 13 x 19 cm.
Clockwork Bear, Bronze Ed. of 15 h23 x 13 x 19 cm.
Grinder's Monkey (detail), Bronze Ed. 15 82 x 27 x 19 cm
Small Minotaur Bust, Bronze Ed. of 15 13 x 10 x 10 cm
Blind Fools Game, Bronze Ed. 15 21 x 14 x 5 cm
Beth Carter Pinocchio Bronze, Ed of 10 48 x 35 x 34cmBeth Carter Pinocchio Bronze, Ed of 10 48 x 35 x 34cm
Pinocchio, Bronze Ed. of 10 48 x 35 x 34 cm.
Beth Carter Small King, Bronze Ed. 15 34 x 13 x 7 cmBeth Carter Small King, Bronze Ed. 15 34 x 13 x 7 cm
Small King, Bronze Ed. 15 34 x 13 x 7 cm
About

Education

1992-1995            BA (Hons) Fine Art. Sunderland University, UK

1993-1994            Placement at the Cyprus College of Art, Cyprus

1990-1991            Art Foundation, Bath College of further Education, UK

 

Awards and Travel

2016                       National Open Art Prize, South West Winner

2007-09                 Travelled to Gambia, Kenya and Tanzania

2006                       Two month Residency at Bronze Casting Foundry, in Guadalajara, Mexico

2004                       Olympia Artfair, London (Individual Artist Award)

2002                       Travelled and Worked in New Zealand (Womad: World of Music and Dance)

2000                       South West Arts, UK, Individual Artist Award to produce new body of work

1997                       Travel in Sri Lanka and India to study devotional/mythological sculpture

1996                       Northern Arts, UK, Travel Award to Crete

1996                       South West Arts, UK, Travel assistance grant

1995                       Northern Graduates Show, The Royal College of Art, London (Awarded 1st Prize)

 

Selected Exhibitions

2019                       AAF Spring, Battersea, Stand C3, Beaux Arts Bath

2019                       London Art Fair Islington, Stand G20, Beaux Arts Bath

2019                       Winter Collective: M Fine Arts Galerie, Boston

2018                       Mixed Summer Exhibition, Beaux Arts Bath

2018                       Shadow Stories, Solo Show, LKFF Brussels

2018                       Sawdust and Sequins: The Art of the Circus, Royal West of England Academy, Bristol

2017                       Solo Exhibition, Beaux Arts Bath

2017                       Spike Island Open Studios, Bristol

2017                       Artists of Fame and Promise, Mixed Summer Show, Beaux Arts Bath

2016                       LAPADA, London, Beaux Arts Bath

2016                       NOA Competition, South West Prize Winner, Mercer’s Hall London

2016                       London Art Fair, Islington, London, Beaux Arts Bath

2016                       AAF Battersea, Beaux Arts Bath

2015                       Winter Collective Part I, Bertrand Delacroix Gallery, New York

2015                       The Shining Guest, View Art Gallery, Bristol

2013                       London Art Fair, Islington, London

2012                       Unnatural-Natural History, Royal West of England Academy,

2012                       Shadowside, Blackall Studios, London

2012                       London Art Fair, Business Design Centre, London

2011                       Here and Now, View Art Gallery, Bristol

2011                       Darkness to Light, The Octagon Chapel, Bath

2010                       Art of Giving, Group Show and Charity Auction, Saatchi Gallery, London

2010                       Solo Show, Black Swan Arts, Frome

2009                       Chichester National, (Selected National Art Competition)

2008                       National Open Exhibition, Royal West of England Academy, Bristol

2006                       Beauty and the Beast, Stourhead Gardens, National Trust / Arts Council England

2006                       Solo Show, Queens Street Gallery, Emsworth

2005                       Solo Show, Badcocks Gallery, Newlyn Cornwall

2004                       Olympia Artfair, London (Individual Artist Award)

2000                       148th Selected Open Autumn Exhibition, Royal West of England Academy, Bristol

1999                       Spike Island Launch Exhibition, Bristol

1997                       Fabulous Beasts, Group Show, Hampshire Sculpture Trust, Hampshire

1995                       Northern Graduate Show

Writing

– The instincts are a far better protection than all the intellectual wisdom in the world. – C G Jung

 

Beth Carter’s world of sculpture and drawing features a cornucopia of dream-like, circus, or half man-half beast shape-shifters who, at their core embody the contrasts characterised in Robert Browning’s ‘dangerous edge of things’ – honest thieves, tenders murderers, superstitious atheists.  A wolf appears to contemplate his kill pityingly, while a fox steals into the night with a pheasant, which on closer inspection he holds delicately, in human hands, the bird appearing potentially injured rather than ripe for the plucking.

 

Carl Jung talked about dream animals being frightening, or ‘minatory’; about how they would often appear to the subconscious engaging in strange behaviour or exaggerated in size. This he claimed was connected to how we deal with our  instincts, our inner nature; about coping with our raison d’être. The human being it seems, reveals himself to be prone simultaneously to contradictory forces, accommodating the tendency to be both  ‘goodie’ and ‘baddie’ in this chimeric hinterland.

 

Some of Beth’s sculptures, despite engendering intuitive, emotional or animal responses, take as their cue her own life experience. Particularly significant is the death in recent years of her artist father, a physically imposing,  larger-than- life figure who was prone to depression.  Looking at her minotaur creations, the largest of these is physically impressive, but with his head lowered he appears trapped in his own labyrinth, shorn of his power, rendered gentle. Another minotaur has his attention fixed in concentration on a moth cupped delicately in his hands.  Beth describes how in a large chaotic  family her father’s discovery of reading changed his life and helped him to be more contemplative.

 

In Man and Dog, though it is not the black dog of depression, the baleful figure’s closed eyes shrouded in gauze take on a pensive, inward demeanour.  Like most of her standing figures, the stance is diffident, demur even. The  dog is heavy, but the man’s head is bowed in acceptance of his fate as carrier, the little clown’s hat bringing a touch of pathos to the piece.

 

Figures which should carry threat are often disarmed by innocence. Standing Elephant depicts an adolescent boy’s lower body touching his pachyderm face self-consciously.  Grinder’s Monkey  seems less trickster and more a figure being comforted by his diminutive sidekick.  Both monkey and elephant stand, as with Man and Dog, awkwardly, as if embarrassed by their very presence. The Frink-like Boxer has his head uncharacteristically raised (most figures look bashfully downward) though this seems only to emphasise that he may have taken a battering. His fighting days are surely numbered.

 

It is a notable irony that the smallest sculpture in the show wears a crown, and looks optimistically out towards the sunny uplands. The little guy is king. This is a typically oxymoronic trope, an elision of contrasting ideas that invites further consideration. Indeed the choice of animals is itself significant, the monkey and elephant with their highly developed intelligence calling  to mind the gods Hanuman and Ganesh; or indeed the dogs, horses and bulls, which we can also in our global village spot as emissaries to the after-life, depicted on ancient walls from Lhasa or Luxor. The animist symbolism runs deep. These messengers, amid ill-fitting hats and masks and tassels, are somehow familiar to us, and part of the fun of considering their import is figuring out why. Or as Yeats put it, The world is full of magic things, patiently waiting for our senses to grow sharper. 

 

Aidan Quinn

July 2015, Catalogue Essay

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