SUMMER SUN

It is warm again. We have the ceiling fans on in the gallery and queues have formed for cooling gelatto ice-creams on York Street. A couple stroll past happily in the sun on their way to be married in the magnificant Abbey. Meanwhile down on the Avon of an evening, the only traffic is the growing cygnets gradually whitening, or balloons heading into deepest Wiltshire from Bath or Bristol.

This photo is near Avoncliff Halt, one of the most picturesque stations in this land or any. The wedding party passing the window here in Bath,  the warm day, the railway station, puts me in mind of an old favourite.. and though it is a long one it is worth it…

That Whitsun, I was late getting away:
Not till about
One-twenty on the sunlit Saturday
Did my three-quarters-empty train pull out,
All windows down, all cushions hot, all sense
Of being in a hurry gone. We ran
Behind the backs of houses, crossed a street
Of blinding windscreens, smelt the fish-dock; thence
The river’s level drifting breadth began,
Where sky and Lincolnshire and water meet.

All afternoon, through the tall heat that slept
For miles inland,
A slow and stopping curve southwards we kept.
Wide farms went by, short-shadowed cattle, and
Canals with floatings of industrial froth;
A hothouse flashed uniquely: hedges dipped
And rose: and now and then a smell of grass
Displaced the reek of buttoned carriage-cloth
Until the next town, new and nondescript,
Approached with acres of dismantled cars.

At first, I didn’t notice what a noise
The weddings made
Each station that we stopped at: sun destroys
The interest of what’s happening in the shade,
And down the long cool platforms whoops and skirls
I took for porters larking with the mails,
And went on reading. Once we started, though,
We passed them, grinning and pomaded, girls
In parodies of fashion, heels and veils,
All posed irresolutely, watching us go,

As if out on the end of an event
Waving goodbye
To something that survived it. Struck, I leant
More promptly out next time, more curiously,
And saw it all again in different terms:
The fathers with broad belts under their suits
And seamy foreheads; mothers loud and fat;
An uncle shouting smut; and then the perms,
The nylon gloves and jewellery-substitutes,
The lemons, mauves, and olive-ochres that

Marked off the girls unreally from the rest.
Yes, from cafés
And banquet-halls up yards, and bunting-dressed
Coach-party annexes, the wedding-days
Were coming to an end. All down the line
Fresh couples climbed aboard: the rest stood round;
The last confetti and advice were thrown,
And, as we moved, each face seemed to define
Just what it saw departing: children frowned
At something dull; fathers had never known

Success so huge and wholly farcical;
The women shared
The secret like a happy funeral;
While girls, gripping their handbags tighter, stared
At a religious wounding. Free at last,
And loaded with the sum of all they saw,
We hurried towards London, shuffling gouts of steam.
Now fields were building-plots, and poplars cast
Long shadows over major roads, and for
Some fifty minutes, that in time would seem

Just long enough to settle hats and say
I nearly died,
A dozen marriages got under way.
They watched the landscape, sitting side by side
—An Odeon went past, a cooling tower,
And someone running up to bowl—and none
Thought of the others they would never meet
Or how their lives would all contain this hour.
I thought of London spread out in the sun,
Its postal districts packed like squares of wheat:

There we were aimed. And as we raced across
Bright knots of rail
Past standing Pullmans, walls of blackened moss
Came close, and it was nearly done, this frail
Travelling coincidence; and what it held
Stood ready to be loosed with all the power
That being changed can give. We slowed again,
And as the tightened brakes took hold, there swelled
A sense of falling, like an arrow-shower
Sent out of sight, somewhere becoming rain.

Whitsun Weddings by Philip Larkin

And speaking of journeys from Lincolnshire – this sculpture of a hare, back again in the gallery, is by Lincolnshire native Nichola Theakston. The patina is exquisite.

And migrating once a year, in late spring, from the North-east of England, on their way to Greenland, you can spot the subject of this painting by Melanie Goemans, represented in her work as subtly shimmering flecks of 22 ct. gold leaf.

All this talk of mysterious, brilliant creatures….

We can never be with loss too long.

Behind the warped door that sticks,
the wood thrush calls to the monks,
pausing upon the stone crucifix,
singing: “I am marvelous alone!”
Thrash, thrash goes the hayfield:
rows of marrow and bone undone.
The horizon’s flashing fastens tight,
sealing the blue hills with vermilion.
Moss dyes a squirrel’s skull green.
The cemetery expands its borders—
little milky crosses grow like teeth.
How kind time is, altering space
so nothing stays wrong; and light,
more new light, always arrives.

At Thomas Merton’s Grave by Spencer Rees

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Best wishes,

Aidan