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Ben Hartley

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Ben Hartley Flower in a vase, Gouache on Paper 50 x 38cmBen Hartley Flower in a vase, Gouache on Paper 50 x 38cm
Archived: Flower in a vase, Gouache on Paper 50 x 38cm
Ben Hartley Aquaquack, Gouache on Paper 56 x 70cmBen Hartley Aquaquack, Gouache on Paper 56 x 70cm
Archived: Aquaquack, Gouache on Paper 56 x 70cm
Ben Hartley Robin, Gouache on Paper 62 x 49 cmBen Hartley Robin, Gouache on Paper 62 x 49 cm
Archived: Robin, Gouache on Paper 62 x 49 cm
Ben Hartley Scything Gesso on Paper 52 x 59 cm.Ben Hartley Scything Gesso on Paper 52 x 59 cm.
Archived: Scything, Gouache on paper 52 x 59 cm
Ben Hartley Serenade, Gouache on Paper 52 x 62cmBen Hartley Serenade, Gouache on Paper 52 x 62cm
Archived: Serenade, Gouache on Paper 52 x 62cm
Ben Hartley Blacksmith Gesso on Paper 56 x 69 cm.Ben Hartley Blacksmith Gesso on Paper 56 x 69 cm.
Archived: Blacksmith, Gouache on paper 56 x 69 cm

“This is the true poetry of painting” – Sister Wendy Beckett.

Although he was born in the Peak District in 1933 and trained at the Royal College in London, Ben Hartley lived a solitary existence for most of his life here in the South-west. Having graduated from the Royal College with first-class honours, he chose the Devonshire countryside as his home, and made little effort to seek fame or fortune. Here, apart from a few hours teaching each week, he spent his time drawing the rural scenes around him.

“He was a colourist, an abstract painter, and a superb draughtsman. His paintings describe the human condition with humour and compassion. His life’s work comprises more than a thousand paintings and three hundred sketchbooks filled with drawings and words. His paintings show his appreciation and understanding of nature; with a countryman’s eye he recreates birds, butterflies, insects, dogs cats, farm animals and the people who live with them and have to grapple with life’s problems.”

TONY BIRKS, Ben Hartley – L”enfance retrouvée à volonté, August 1998

 

The life of Ben Hartley, the recluse who sought obscurity rather than fame, has been celebrated in Bath, at Beaux Arts, and they have had six exhibitions of Ben Hartley’s work so far. In 1998 the exhibition coincided with the publication of a book featuring two of Ben Hartley’s notebooks,  ‘Pigs Must Eat on Sundays’,  which includes a foreword by Bernard Samuels.

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